NCERT Solutions for Class 7 History Chapter 9 The Making of Regional Cultures are written in detail by people who have expertise in the field and the entire chapter has been explained in a very simple yet in-depth manner. Our goal is to help students understand their fundamentals better, so they can perform well on any exam. Student can rely on these answers as they come from experts who have been teaching for quite some time and know what’s expected in the test papers. Chapter 9 Class 7 History NCERT solutions can be used for any purpose and are great for research and preparation for exams.
Chapter 9 The Making of Regional Cultures Class 7 History NCERT Solutions
1. Match the following:
2. What is Manipravalam? Name a book written in that language.
In Manipravalam, “diamonds and corals” refers both to Sanskrit and the regional language. Lilatilakam is a book written in Manipravalam that deals with grammar and poetics.
3. Who were the major patrons of Kathak?
Mughal emperors and Nawabs of Lucknow, especially Wajid Ali Shah, were major patrons of Kathak.
4. What are the important architectural features of the temples of Bengal?
Important architectural features of the temples of Bengal are:
- Temples began to copy the double-roofed or four-roofed structures of thatched huts.
- In the comparatively more complex four-roofed structure, four triangular roofs are placed on four walls to converge at a point.
- A square platform was usually used to build temples.
- While the interiors of most temples were plain, the exterior walls were often decorated with paintings, ornamental tiles, or terracotta tablets.
5. Why did minstrels proclaim the achievements of heroes?
Rajasthan was ruled by various Rajput families as early as the eighth century. Legends about the bravery and generosity of Rajput warriors were recorded in poetry and songs, which were recited by minstrels. These fond memories were intended to inspire others to replicate their example. Many ordinary people were also attracted to these stories which often displayed dramatic situations and strong emotions such as loyalty, friendship, love, valour, anger, etc.
6. Why do we know much more about the cultural practices of rulers than about those of ordinary people?
We know much more about the cultural practices of rulers than about those of ordinary people due to the following reasons:
(i) Because rulers held the wealth of their states in their hands, they were able to construct temples and other types of structures, which are still standing today. These structures provide us with information about the rulers, but the general public did not have access to such information.
(ii) Temples were built by rulers to demonstrate their dedication to and riches over the people, but regular people were unable to do so due to financial constraints.
(iii) It is estimated that nearly all of the monarchs had different intellectuals in their courts who wrote about the accomplishments of the kingdom as well as about its administration and workings. They also wrote about the admiration that kings have for art and architecture as a result of this. As a result, whatever history books are available to us are mostly concerned with the rulers, rather than with ordinary people.
7. Why did conquerors try to control the temple of Jagannatha at Puri?
Conquers attempted to seize control of the Jagannatha temple in Puri in order to make their rule more acceptable to the local populace. The temple was important as a place of pilgrimage and as a centre of authority in social and political matters, so seizing control of the temple was a high priority.
8. Why were temples built in Bengal?
The arrival of European trading businesses in Bengal resulted in the creation of new economic prospects. The development of social and economic conditions resulted in the construction of temples. Many of Bengal’s modest brick and terracotta temples were constructed with the assistance of numerous “lower” socioeconomic groups, such as the Kolu (oil pressers) and the Kansari (weavers of woven cloth) (bell metal workers). The Brahmanas recognised the importance of local deities, which were formerly worshipped in thatched huts in villages, and their pictures began to be housed in temples as a result.