Broken-Images-Class-12-Kaleidoscope-English-NCERT-Summary
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Chapter 2 Broken Images Class 12 Kaleidoscope English NCERT Summary make students better prepared for their exams and have a higher chance of excelling in their academic performance. These notes will provide you with the main points or essence of the chapter, making it easier for you to comprehend the chapter.

By taking Broken Images Class 12 Kaleidoscope English NCERT Notes, students can enhance their preparation for exams and improve their understanding of important concepts.

Chapter 2 Broken Images Class 12 Kaleidoscope NCERT Notes

About the Chapter

In this play by Girish Karnad, the focus is on Manjula Nayak, a renowned Kannada writer who has recently gained recognition for her English novel. The play revolves around a televised monologue where Manjula passionately defends her choice to write in English. She explains that the novel flowed naturally to her in that language and expresses her frustration at the backlash she has received from Kannada intellectuals who accuse her of betraying her mother tongue. Through this monologue, Manjula aims to shed light on her creative process and challenge the notion of linguistic loyalty in literature.

About the Author

Girish Karnad is a contemporary writer, playwright, actor and movie director. He is a recipient of the Padma Shri (1974), Padma Bhushan (1992) and the Jnanpith Award (1998). He writes in both Kannada and English. His plays generally use history and mythology to focus on contemporary issues.

Broken Images Class 12 Kaleidoscope English NCERT Summary

As the play begins, the setting is a television studio, complete with a large plasma screen positioned on one side, and a chair and table on the other. The main character, Manjula Nayak, enters the stage and takes a seat in the chair. She prepares for her role as she adjusts her lapel microphone and attentively listens to instructions coming from someone offstage. Manjula assures the speaker that she understands and will adhere to their request of not speaking for more than ten minutes. As the time to go live arrives, the announcer appears on the screen and introduces Manjula to the viewers of the Shree-TV channel. The announcer highlights Manjula’s accomplishments, including her first novel titled “The River Has No Memories,” which has gained worldwide attention and is written in English.

Manjula addresses the audience by introducing herself as Manjula Murty, but mentions that she still embraces her creative side as Manjula Nayak. She acknowledges that there are two commonly asked questions and proceeds to provide answers to them. Manjula, a writer in Kannada, explains that her decision to write in English was not a conscious one. The story she wanted to tell simply burst out of her in English, and that was the only reason why she chose to write the novel in that language. Despite facing criticism from people who accused her of betraying her mother tongue for financial gain, Manjula defends herself by sharing that her British publishers recognized and appreciated the genuine Indian feel present in her work.

Manjula reflects on her life as she answers the question about the inner life of a person confined to bed all her life. She credits her younger sister, Malini, who had a physical disability called meningomyelocele, for shaping her perspective. After their parents passed away, Manjula took care of Malini for six years until her death. Despite being childless, Manjula considered Malini as her own child. As Manjula finishes speaking, she becomes perplexed when she notices her image on the screen and is unsure about what is happening.

In this scenario, Manjula is interacting with an image that has asked her various personal questions. Despite being unable to openly share her thoughts and experiences with the audience, Manjula responds honestly to the image’s inquiries about her house in Koramangala, her husband Pramod Murty, and how they met.

As she continues answering the questions, Manjula’s frustration builds up until she finally explodes at the image, expressing her belief that it has no right to inquire about her private life. However, instead of reacting defensively or reciprocating Manjula’s anger, the image simply smiles. This unexpected reaction has a calming effect on Manjula, causing her to regain composure and become serene once more.

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